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Nuova Fiat 500. Aspettando l’uscita da scuola. È il primo disegno nello sketchbook  che ho rilegato da solo: carta Langton cold press a grammatura 300 (sulla quale purtroppo, a differenza della carta bianca, il Pelikan 4001 si spande se viene bagnato). La legatura è a sella, costola incollata, cartoncino di recupero per la copertina e finitura esterna con carta gialla e timbro. New Fiat 500. Waiting for school exit time. It’s the first sketch in my new self bound sketchbook: cold pressed langton paper 300 gsm (which Pelikan 4001 bleeds on, if wet, unlike on common white paper). It’s been bound with saddle stitch, with a glued spine and a recycled cardboard cover and outer finish with yellow paper and a stamp.

Pubblicato da Alessandro Melillo

I'm an architect, photographer and urban sketcher living on the western coast of Tuscany, Italy. This is the world, through my eyes and my hands. I love aniseed, bicycles, monofin swimming, pipe smoking, film, udon, pencils, haiku, cooking, notepads, gin, Japan, maps, traveling, prime numbers, street photography, longboard skating, stringed instruments, liquorice, botany, typography, bookbinding, Dire Straits, pale ale, Ireland, folk music, trumpets, virginia tobacco, urban sketching, single malt whiskey, writing, Indian food, Counting Crows, India ink, sea, peat stoves, watercolors, photojournalism, origami, fixies, sushi, wet shaving, lavender, pocket watches, denim, drip coffee, soupe au pistou, hiking, aloeswood, politeness, knots, dip pens, craft, Vespa, pocket knives, twin lens reflex cameras, contrails, lightnings, tea, NB 574, washi tape, dishwashing, calligraphy, fire, paper, onsen, postcards, magnifying lenses, baking, cartography, straw wickers, not necessarily in this order.